Week 14: Where do painters learn from?

There are two well held views.

Reading through the information from and looking forward to Bridget Riley’s new exhibition arriving at the Hayward Gallery later this month I spot both.

https://www.southbankcentre.co.uk/blog/five-things-know-about-bridget-riley

Riley spent her childhood in Cornwall, and she credits the Cornish landscape – its ‘bosky woods and secretive valleys’, its ‘changing seas and skies’ – with first teaching her how to look

Riley states: ‘I believed – and in fact still believe – that looking carefully at paintings is the best training you can have as a young painter.’

Bridget Riley. Cataract 3, 1967. © Bridget Riley 2019. All rights reserved
Bridget Riley. Pink Landscape, 1960 © Bridget Riley 2019. All rights reserved

There is a long and eminent list of Artist who agree from Leonardo da Vinci to David Hockney.

Leonardo da Vinci

https://www.biography.com/artist/leonardo-da-vinci

Hockney

https://www.tate.org.uk/tate-etc/issue-39-spring-2017/hockneys-world-pictures

The importance of drawing.

The other thing all three Artists did was draw from the life model.

https://www.theguardian.com/artanddesign/2019/may/26/leonardo-life-in-drawing-review-royal-collection-queens-gallery

The Head of Leda, c. 1504-6 by Leonardo da Vinci. Photograph: Royal Collection Trust

David Hockney. Tap image for a direct link.

David Hockney

In an Old Book

1966

Bridget Riley. Tap images for a direct link.

Older Woman Looking Down

by Bridget Riley, c.1950

© Bridget Riley 2009

Nude – Bridget Riley c.1951-52 – Conte and pastel on paper 43×21.2

Her process and thoughts in her words.

A review of work next to works that inspire her .

An Umm article from Will Self which no doubt will not appear for this expo. You can’t please everyone all the time.

https://www.independent.co.uk/arts-entertainment/art/features/read-between-the-lines-are-bridget-rileyrsquos-paintings-really-fine-art-1040278.html