Week have exchanged documentation and layouts via my Google account. I loaded up Nates pages and the pages I had over laid the 12/12 guide lines on we have a format now and each of us are producing 5 pages that we can then marry together on Saturday. I shared the lines I had rewritten for the intro. after our tutorial with Alaya and had Nate send me a copy of the reworked intro. we needed to make our contributions more relevent to our practice.

It loaded up well and everyone that needs the information may down load it.

Nayana reshot her book using the capture table we agreed that the photos were much “sharper”and we Up loaded them too.

I rehung and stretched my canvases and photographed them using my Panasonic/Leica camera I had forgotten just how good it is in low light- I bought it to photograph drawings. It lives by my folder as I unravel the drawings from the day I snap them and pop them away before they get sat on or used for home work no lights no studio-it works. Image quality good. Never had to reshoot for publication. Most importantly feeling of the item is kept.

Sarah Chalkie Cloonan’s paintings and synergistic objects passively engage with their audience without enquiry, although they may be actively understood though her choice of materials.