Week 33: Marks we make-All The Streets – Davis

All The Streets – Davis
— Read on davis.vilums.me/all-the-streets/

I was thinking about how Richard Diebenkorn painted and how he was influenced by Edward Hopper – https://www.bostonglobe.com/arts/theater-art/2012/03/31/richard-diebenkorn-west-coast-painter-his-best/oDFqBqPqwR3uWDovjNmBIL/ostory.html.

And Barnet Newman –https://www.metmuseum.org/toah/works-of-art/68.178/

They painted abstractly about things – the paintings are maps of their thoughts and feelings about things. Switching between the figurative and the abstracted, I dont think you have to be one or the another, why be pigeon holed. I think of painters who’s brush marks are so loose that they become abstracted and other painters who start with an image which gets lost in the building of a surface. the materiality takes over and they allow a spontaneous response.

Mark Bradford, Varda Caivano & Claudia Carr also come to mind. I find the images pleading.

Richard Diebenkorn’s “Ocean Park’’ paintings, #79, PHILADELPHIA MUSEUM OF ART

Barnett Newman, Concord -Newman titled the picture after the town famous for Henry David Thoreau’s Walden, where he and his wife, Annalee, had honeymooned. Tap for Link.

Richard Diebenkorn, Still Life with Orange Peel, 1955; San Francisco Museum of Modern Art, bequest of Barbara E. Foster; © The Richard Diebenkorn Foundation

Claudia Carr, Drift, 2015, oil on canvas, 31.2 x 56.8 cm Tap for link

Varda Caivano,Tap for Link.

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